The discovery of what I am referring to as crystals in spiders fired in clay during my first term at Emily Carr set the direction of my creative research. What I perceived as the distillation of a creature to its crystalline essence inspired me to explore the interdependence of all things in my work. This developed into Interconnections, a network of nodes that include spiders with crystals in clay, etched insects on copper cells that generate electricity, and microcosms of an environment out of balance with cyanobacteria and copper. From spider crystals to electroetching with blue copper sulphate crystals, to growing microenvironments, both copper and cyanobacteria became key to my material research. Together they deploy a harmonized pallet of blues and greens. Both are unstable and change colour over time. The use of copper and cyanobacteria as materials, as examples of vibrant matter, allow me to generate microcosms of an environment out of balance and serve as the support and backdrop to reflect on climate change and the disappearance of species.